{"id":2,"date":"2015-01-09T17:36:27","date_gmt":"2015-01-09T17:36:27","guid":{"rendered":"http:\/\/nschotschi.de\/?page_id=2"},"modified":"2025-11-05T19:06:22","modified_gmt":"2025-11-05T19:06:22","slug":"beispiel-seite","status":"publish","type":"page","link":"https:\/\/nschotschi.de\/?page_id=2","title":{"rendered":"cv \/ contact"},"content":{"rendered":"

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Nschotschi Haslinger<\/p>\n

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1982 * (in Eitorf)<\/p>\n

2003 – 2010 \u00a0 Diploma of Fine Arts at Hochschule f\u00fcr bildende K\u00fcnste Braunschweig (Hartmut Neumann, Johannes Brus und Walter Dahn)<\/p>\n

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Awards, Grants<\/p>\n

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2022 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Neustart Kultur, Stiftung Kunstfonds<\/p>\n

2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Neustart Kultur, Stiftung Kunstfonds<\/p>\n

2017 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Arbeitsstipendium K\u00fcnstlergut Pr\u00f6sitz<\/p>\n

2015 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Arbeitsstipendium der Stiftung Kunstfonds<\/p>\n

2010 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Meistersch\u00fclerpreis der HBK Braunschweig<\/p>\n

2006 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Stipendium der Studienstiftung des deutschen Volkes<\/p>\n

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Selected Exhibitions<\/p>\n

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2025<\/p>\n

Between Places<\/em>, Nizza, Berlin, (duo)<\/p>\n

Klasse Walter Dahn<\/em>, Trafik Projekte, Br\u00fchl<\/p>\n

Am Platz<\/em>, Kunstverein am Rosa-Luxemburg-Platz, Berlin<\/p>\n

\u20aca<\/em>t, Casino Luxemburg, Luxemburg<\/p>\n

Nur das was muss,<\/em> Spoiler, Berlin<\/p>\n

Wifi and Watercolor,<\/em> Zeller van Almsick, Berlin<\/p>\n

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2024<\/p>\n

Hinter deinem Schatten<\/em>, Mountains, Berlin<\/p>\n

High Noon in the Magic Forest<\/em>, Studio Hannibal, Berlin<\/p>\n

Zero ist the Moon<\/em>, Nova Space, Weimar<\/p>\n

Das \u00f6de Haus<\/em>, Haus R\u00fcschhaus, M\u00fcnster<\/p>\n

Magisch depressives Badezimmer<\/em>, EXILE, Berlin<\/p>\n

Symptom Couverture,<\/em>\u00a0EXILE, Vienna (solo)<\/p>\n

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2023<\/p>\n

The Therapy Room<\/em>, the Movment, Berlin<\/p>\n

Earthseed,<\/em> Galerie Hoesovickasatcha, Prague (duo)<\/p>\n

Everything but a Lie<\/em>, Galerie Klenov\u00e1, Klatovy<\/p>\n

It Linger in my Mouth Like Body Liquid Does, <\/em>Slugg, Leipzig<\/p>\n

The Garden,\u00a0<\/em>Galerie<\/i>\u00a0Norbert Arns, Cologne<\/p>\n

Return to Ceramics<\/em>, Museum of Contemporary Art in Krakau, Krakau\u00a0<\/span><\/p>\n

Gibt es den Mond wenn keiner hinsieht?<\/em>, Galerie Thomas Rehbein, Cologne<\/p>\n

Ma petite folie<\/em>, Etta, Duessedorf<\/p>\n

Kompanie Spezies<\/em>, Sternschuppen, Pavillion der Volksb\u00fchne, Berlin<\/p>\n

\u201e\u2026on Paper\u201c<\/em>, Galerie Thomas Rehbein, Cologne<\/p>\n

Mikro Silence<\/em>, Moltkerei Werkstatt, Cologne (solo)<\/p>\n

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2022<\/p>\n

UNTILTED<\/em>, ungef\u00e4hr 5 (duo)<\/p>\n

Breathing Water, Drinking Air<\/em>, Sammlung Philara, Duesseldorf<\/p>\n

Works on Paper<\/em>, Harkawik, New York<\/p>\n

Unendliche Geschichten<\/em>, Museum der Stadt Ratingen, Ratingen<\/p>\n

Ins Fundament des Haerdercenters,<\/em> mit dem Kulturfunken im Haerdercenter Lubeck, Lubeck (solo)<\/p>\n

Parkplatztreffen\u00a003<\/em>, with Kunstverein St. Pauli, Bremen<\/p>\n

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2021<\/p>\n

Solo Market<\/em>, curated by Lola G\u00f6ller and Johanna Langenscheidt, Berlin<\/p>\n

Tuta Spatium<\/em>, \u00a0Paul’s Boutique, Hamburg<\/p>\n

Gegenwart<\/em>, exhibition and performance project curated by Lisa Klosterkoetter and Elena Malzew, Hamburg<\/p>\n

Wurzelszonen und Vibrationen<\/em>, Spark Art Fair with EXILE, Wien (solo)<\/p>\n

Chernobyl Papers<\/em>, Pripyat Chernobyl, curated by New Szenario<\/p>\n

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2020<\/p>\n

Raupe<\/em>, performance with Sh\u00ec-Kollectiv. Interspecies evening, Klosterruine, Berlin<\/p>\n

Among Them<\/em>, Kirchgasse, Steckborn, CH<\/p>\n

Body Lotion<\/em>, Zeller van Almsick, Vienna<\/p>\n

Cherchez la femme II<\/em>, Galerie Susanne Neuerburg, Hennef<\/p>\n

Muse\u00e9 sentimental de l\u2019ours de Berlin<\/em>, B\u00e4renzwinger, Berlin<\/p>\n

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2019<\/p>\n

Goods for the Sick<\/em>, with Bite the Saurus , Art Verona, Verona (solo)<\/p>\n

Glazed and Confused<\/em>, Fonda, Leipzig<\/p>\n

Sein und Desaster<\/em>, H3Ora, Berlin<\/p>\n

Sinkhole Projekt<\/em>, Friedhof Pankow, Berlin<\/p>\n

Gedanken einer Verliererin<\/em>, Performance with Phosphor (Nschotschi Haslinger, Lou Hoher und Anna Steinert), NSA#5, Eigen und Artlab, \u00a0Berlin<\/p>\n

Vertikalwinke<\/em>l, Schaufenster, Berlin<\/p>\n

Der geheime Dienst<\/em>, Zero Fold, Cologne (solo)<\/p>\n

Vertikalwinke<\/em>l, Schaufenster, Berlin<\/p>\n

Die untere Welt<\/em>, Overbeckgesellschaft in der St. Petrikirche, Lubek (solo)<\/p>\n

Memory Hole<\/em>, Reitergalleries, Leipzig<\/p>\n

Introesque<\/em>, EXILE, Vienna (solo)<\/p>\n

Halfway House<\/em>, EXILE, Vienna<\/p>\n

When the Sick Rule the World<\/em>, GR_und, Berlin<\/p>\n

Hands of Doom<\/em>, Storage Capatic\u00e9, Berlin<\/p>\n

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2018<\/p>\n

Paradise Circus<\/em>, Limbo, Berlin (solo)<\/p>\n

Caput<\/em>, Hilbertraum, Berlin<\/p>\n

If I ruled the World<\/em>, Bar Barbette, Berlin<\/p>\n

Das gestohlene Lied<\/em>, Galerie Genscher, Hamburg (solo)<\/p>\n

Mi chiedo se c’\u00e8 un posto in questo mondo..<\/em>., KM, Berlin<\/p>\n

Wilde Weld Wald<\/em>, BBM e.V., Unbesandten<\/p>\n

May the Bridges I burn light the Way<\/em>, EXILE, Berlin<\/p>\n

Banana Orbit<\/em>, Performance at Macito Balaro, May the Bridges I burn light the Way, Manifesta 12, Palermo<\/p>\n

Apropofola<\/em>, Kunstverein Kjubh, Cologne (solo)<\/p>\n

Siste! Stipendiatinnen 2017<\/em>, Rathausgalerie Grimma, Grimma<\/p>\n

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2017<\/p>\n

Swimmingpool<\/em>, Zwischenwelt, Berlin<\/p>\n

Body Electric<\/em>, Galerie Sandra Buergel, Berlin<\/p>\n

Grotto Capitale<\/em>, Exile, Berlin<\/p>\n

Enfant d\u00e9licieux,<\/em> Performance with \u00a0Lou Hoyer and Monika Michalko, NSA#4, die vierte Welt, Berlin<\/p>\n

Kunstgruppe K\u00f6ln<\/em>, Salon Schmitz, Cologne<\/p>\n

L\u00fcbeck sammelt I<\/em>, Kunsthalle St. Annen, Lubek<\/p>\n

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2016<\/p>\n

Provinz CO Kunsthalle Recklinghausen<\/em>, Recklinghausen<\/p>\n

Comedy Club 2<\/em>, Berlin Project Space Festival, Berlin<\/p>\n

The Snorring Princess<\/em>, Kunstgruppe, Cologne<\/p>\n

Sammlung Simonow<\/em>, Kunsthalle Bozen, Bolanzo<\/p>\n

Sammlung Simonow<\/em>, Adler D\u00fcsseldorf, Dusseldorf<\/p>\n

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2015<\/p>\n

Die Zitternde Kammer<\/em>, Wienowski & Harbord, Berlin<\/p>\n

Shoes Moon<\/em>, Galerie Genscher, Hamburg (solo)<\/p>\n

Junger Westen 2015<\/em>, Kunsthalle Recklinghausen, Recklinghausen<\/p>\n

Die zitternde Kammer pr\u00e4sentiert: We Come as Friends<\/em>, Sammlung Haus Harig, Hannover<\/p>\n

Eternal Lines, Zerp Gallery, Rotterdam<\/p>\n

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2013<\/p>\n

Ruhe-St\u00f6rung, Streifz\u00fcge durch die Welt der Collage<\/em>, Marta Herford, Herford<\/p>\n

Hamburger Bahnhof, Galerie Kai Erdmann, Hamburg<\/p>\n

Im sofortigen Eingest\u00e4ndnis falscher Gedanken und Taten liegt unsere wachsende<\/em><\/p>\n

Unabh\u00e4ngigkeit<\/em>, ehemalige Akademie der Wissenschaften, Berlin<\/p>\n

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2012<\/p>\n

Gl\u00fcckliche K\u00fcnste#1<\/em>, kuratiert von Rebecca J\u00e4ger und Alexander Wahrus, Cologne<\/p>\n

Lost in Space<\/em>, rahncontempory, Zurich<\/p>\n

PTA#7: Central Horizon Ltd<\/em>., Penny Temporary Arts, Neum\u00fcnster<\/p>\n

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2011<\/p>\n

Jahresgaben,<\/em> Kunstverein Braunschweig, Brunswick<\/p>\n

Eisbrechen,<\/em> rahncontemporary, Zurich (solo)<\/p>\n

Rundblick 2011, Sch\u00f6ne Wahrnehmung<\/em> – Positionen junger Kunst, Temporary Gallery, Cologne<\/p>\n

DEAD Lines, der Tod in der Kunst – Medien – Alltag<\/em>, Von der Heydt – Kunsthalle, Wuppertal<\/p>\n

Entropia<\/em>, Sammling Philara, Dusseldorf<\/p>\n

Big Talk<\/em>, Small Pieces, \u00dcBS, Istanbul<\/p>\n

Brise,<\/em> Galerie Vera Gliem, Cologne<\/p>\n

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2010<\/p>\n

Jahresgaben<\/em>, Bonner Kunstverein, Bonn<\/p>\n

All in Together Now<\/em>, Galerie Mai 36, Zurich<\/p>\n

Ruine des Antlitzes,<\/em> M\u00f6nchehaus Museum f\u00fcr moderne Kunst, Goslar (solo)<\/p>\n

Das Unbehagen der Wirklichkeit<\/em>, Galerie der HBK, Brunswick<\/p>\n

Kunst macht Schule,<\/em> Stadtgalerie Saarbr\u00fccken, Saarbr\u00fccken<\/p>\n

Leine los! 85. Herbstausstellung<\/em>, Kunstverein Hannover, Hanover<\/p>\n

64. Bergische Kunstausstellung<\/em>, Kunstmuseum Baden, Solingen\/Galerie der Stadt Remscheid<\/p>\n

33 115 68<\/em>, EXILE, Berlin<\/p>\n

La Bonne Horse<\/em> – Klasse Walter Dahn, Bonner Kunstverein, Bonn<\/p>\n

L.G.S.N.H.C.M.E.S.M.K.T.<\/em>, rahncontemporary, Zurich<\/p>\n

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2009<\/p>\n

La Bonne Horse<\/em> – Klasse Walter Dahn, St\u00e4dtische Galerie Delmenhorst, Delmenhorst<\/p>\n

Accumulation of the Incomplete<\/em>, the Nunnery Gallery, London<\/p>\n

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2008<\/p>\n

We are Ugly but we have the Music<\/em>, Galerie Michael Janssen, Berlin<\/p>\n

Schwarze Galle, roter Saft, Aspekte des Melancholischen in der zeitgen\u00f6ssischen Kunst<\/em>, b-05 Kunst- und<\/p>\n

Kulturzentrum, Montabaur<\/p>\n

Re – Reading theFuture – The Aesthetics of Resemblances,<\/em> International Trienale of Contemporary Art\u00a0Prague, Nationalgalerie Prag, Prague<\/p>\n

Zuflucht der Komplizierten<\/em>, Galerie der Stadt Remscheid, Remscheid (solo)<\/p>\n

Refugium<\/em>, Galerie Weisser Elefant, Berlin<\/p>\n

The Afternoon was a Desert in Front of me<\/em>, rahncotemporary, Zurich (solo)<\/p>\n

H\u00fchnergl\u00fcck,<\/em> K\u00fcnstlerverein Malkasten, Dusseldorf (solo)<\/p>\n

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2007<\/p>\n

Der Blick nach aussen<\/em>, Museum der Stadt Ratingen, Ratingen<\/p>\n

The Afternoon was a Desert in Front of me<\/em>, Raum f\u00fcr Kunst und Musik, Cologne<\/p>\n

Je reviens<\/em> (with Monika Michalko), Kunstverein St. Pauli, Hamburg (duo)<\/p>\n

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2006<\/p>\n

Scheiterst immer besser<\/em>, Raum f\u00fcr Kunst und Musik, Cologne (solo)<\/p>\n

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2005<\/p>\n

Das Professor Winkler Stipendium,<\/em> M\u00fcnzstra\u00dfe, Berlin<\/p>\n

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Collections<\/p>\n

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MOCAK, The Museum of Contemporary art in Krakau<\/span><\/div>\n
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Sammlung Philara<\/span><\/div>\n
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National Museum of Art, Architecture and Design, Norway<\/span><\/div>\n
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Sammlung Oehmen<\/div>\n
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Collection of Beth Rudin DeWoody<\/span><\/div>\n
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Contact:<\/p>\n

info@exilegallery.org<\/p>\n

nschotschihaslinger@yahoo.de<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

    Nschotschi Haslinger   1982 * (in Eitorf) 2003 – 2010 \u00a0 Diploma of Fine Arts at Hochschule f\u00fcr bildende K\u00fcnste Braunschweig (Hartmut Neumann, Johannes Brus und Walter Dahn)     Awards, Grants   2022 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Neustart Kultur, Stiftung Kunstfonds 2021 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nschotschi.de\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nschotschi.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nschotschi.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nschotschi.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nschotschi.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":124,"href":"https:\/\/nschotschi.de\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":872,"href":"https:\/\/nschotschi.de\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/872"}],"wp:attachment":[{"href":"https:\/\/nschotschi.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}